-Regular rehearsals are generally held Thursday (and some Tuesday) evenings from 7:00-9:30PM
-Please bring Stands and Stand Lights to rehearsals and performances
-It is important that you arrive a few minutes early to rehearsal to warm-up
-You are expected to have practiced and prepared parts thoroughly outside of normal rehearsal time
-All concerts and rehearsals are at the First Presbyterian Church unless otherwise noted
-To participate in any given concert, players may not miss more than one rehearsal for that concert cycle
-Dress rehearsals generally run for 3 hours instead of the normal 2.5 hours.
-Dress is Tuxedos for Men and Concert Black for Women
-Dress Rehearsals are generally 3 hours in duration
-Concert call is generally 30-45 minutes prior to downbeat
Learn MoreBoulder Symphony Audition Excerpts 2011-2012
1st Violin
Brahms, Symphony 4, movement 4: Measure 33-D (81)
Beethoven Symphony 3, Movement 1: measure 55-C (84)
Brahms Serenade no. 1, movement 1: Measure 263-321
Beethoven Symphony 3, movement 3: 76-119
Brahms Requiem, movt 2: 3-21, H – L, O – end; movt 3, m. 174 – end, movt. 6: m.75 – F; movt. 7: beginning – B
Brahms Haydn Variations: Variation 1, 3, 4, 5, 6, 7, 8 or Finale
Second Violin
Brahms, Symphony 4, movt 4: Piu Allegro (256) to M (268)
Brahms Serenade no. 1, movement 5 (Scherzo): trio (73-90)
Beethoven symphony 3, movt 1: 99-123
Beethoven Symphony 3, movt 3 (Scherz): 76-127
Brahms Requiem, movt 2: 42-65, 200-253; movt. 3: m. 173-end; movt. 6: m. 75-108
Brahms Haydn Variations: Variations 1, 2, 4, 5, 6 or Finale
Viola
Brahms Symphony no. 4: Letter C in Andante moderato
Beethoven: Symphony no. 3: Scherzo
Brahms Requiem: movt. 1: m. 5 – 15; movt. 2: beginning – C; movt. 3: m.167 – end: movt. 6 m. 75 – F
Cello
Brahms Symphony no. 4, 1st movt 169-213, 2nd movt: m. 76-end; 4th movt, Letter B to D
Brahms Haydn Variations: Variations 3-6
Brahms Requiem, no. 3: m. 173 – end, no. 6: m. 76-207
Beethoven Symphony no. 3, 1st movt: m. 103 until 1st ending, 2nd movt: m. 121-G; 4th movt. 433-end
(Please also take a look at the Brahms Serenade no. 1)
Bass
Brahms Haydn Variations: Variations 3-6
Brahms Symphony no. 4, 1st movt, Letter O until end, 2nd movt, m. 76 to F, 4th movt. 168 to Letter I
Brahms Requiem, no. 6: m. 81-207
Beethoven Symphony no. 3, 1st movt: m. 103 until 1st ending; 2nd movt: m. 121-G; 4th movt. 433-end
Flute
Mendelssohn Midsummer Night’s Dream, Scherzo, begin at 2 bars before “P”
Beethoven Leonore Overture No. 3, Op. 72, solos
Strauss Till Eulenspiegel, rehearsal 5 to 15 and 27 to 36
Brahms Symphony no. 4, 4th movt, solo
Oboe/Eh
Beethoven– Symphony No. 3, Mvt. 2: beginning to A; 20 bars after A to 6 bars after B
R. Strauss – Don Juan, Beginning to B; L to 2 bars after N
Brahms Violin Concerto: 2nd movt. solo
Clarinet
Brahms: Symphony No. 3 Clarinet in B-flat, Mvmt. II mm. 1-13
Schubert Unfinished Symphony, 2nd mvt. solo
Beethoven Symphony No. 6, 1st mvt. mm. 474-492, 2nd mvt. mm. 68-77
Bassoon
Beethoven Symphony No. 4, last mvt. solos
Stravinsky The Rite of Spring, opening solo
Rimsky-Korsakov Scheherezade, solo & cadenzas
Horn
Beethoven Symphony No. 7, 1st mvt. (horn I)
Beethoven Symphony No. 9, 3rd mvt. (horn IV)
Brahms Symphony No. 2, 1st & 2nd movts. (horn. I)
Shostakovich Symphony No. 5 (low tutti passage)
Trumpet
Beethoven: Leonore Overture Trumpet in C or B-flat (offstage excerpts)
Mussorgsky Pictures at an Exhibition, 1st & 6th mvts., Promenade & Schmuyle
Mahler Symphony No. 5, 1st mvt.
Tenor Trombone
Mozart – Requiem, Tuba Mirum – Solo
Saint-Saëns – Symphony No. 3 – Mvt I, Q to R
Rossini – La Gazza Ladra – Rehearsal 3 to 4, 7 to 8, 9 to end
Bass Trombone
Wagner The Ride of the Walküre
Hadyn The Creation (reh #26)
Berlioz Hungarian March
Tuba
Wagner: Die Meistersinger Overture J-L
Wagner: Die Walkure (B major)
Prokofiev Symphony no. 5: 1st movt: 2 to 3 after 4
Berlioz Symphonie Fantastique: V: four before 86-end (tu 1)
Mahler Symphony no. 2, movt. V: 10-11
Learn MoreThe Boulder Symphony currently has the following opportunities for musicians for the 2011-2012 Season
(all positions are volunteer unless otherwise noted):
Please email director@bouldersymphony.org if you are interested in any positions or to set up an audition. To audition please prepare 2-3 orchestral excerpts of your choice and 2-3 minutes of a solo.
Learn MoreClick HERE for a map (PDF format) of parking lots available to orchestra members for parking without needing to use meters. The areas are: Wells Fargo Bank, Taggert Insurance, the dentist in the building with Taggert Insurance and in the west lot of First Presbyterian Church. Wells Fargo Bank, Taggert Insurance and the dentist offices are diagonally (kitty corner) across Canyon from the church. There is also limited parking available in the lots for the church and the Annex if you arrive early enough.
Learn More